Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning. Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of “girlhood as a time of complexity, laced with unparalleled creativity and expansion” ( Vogue ). Heartbreaking, elegant, and written in “giddily exuberant prose” ( Financial Times ), it’s a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.

Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning. Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of “girlhood as a time of complexity, laced with unparalleled creativity and expansion” ( Vogue ). Heartbreaking, elegant, and written in “giddily exuberant prose” ( Financial Times ), it’s a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.

Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning. Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of “girlhood as a time of complexity, laced with unparalleled creativity and expansion” ( Vogue ). Heartbreaking, elegant, and written in “giddily exuberant prose” ( Financial Times ), it’s a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.

Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning. Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of “girlhood as a time of complexity, laced with unparalleled creativity and expansion” ( Vogue ). Heartbreaking, elegant, and written in “giddily exuberant prose” ( Financial Times ), it’s a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.

Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning. Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of “girlhood as a time of complexity, laced with unparalleled creativity and expansion” ( Vogue ). Heartbreaking, elegant, and written in “giddily exuberant prose” ( Financial Times ), it’s a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.

Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning. Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of “girlhood as a time of complexity, laced with unparalleled creativity and expansion” ( Vogue ). Heartbreaking, elegant, and written in “giddily exuberant prose” ( Financial Times ), it’s a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.

What is the book about?

Coming of age

Coming of age

Coming of age

Coming of age

Coming of age

Coming of age

Magic

Magic

Magic

Magic

Magic

Magic

Girlhood

Girlhood

Girlhood

Girlhood

Girlhood

Girlhood

They had not lost anyone that year, or the ones they had lost were not worth remembering. Set in the fictional Kenyan town of Mapeli, Things They Lost tells the story of four generations of women, each haunted by the mysterious curse that hangs over the Brown family. At the heart of the novel is Ayosa Ataraxis Brown, twelve years old and the loneliest girl in the world. Okwiri Oduor's stunningly original debut novel sings with Kenyan folklore and myth as it traces Ayosa's fragile, toxic relationship with Nabumbo Promise, her mysterious and beguiling mother who comes and goes like tumbleweed: lost, but not quite gone.

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Adeche Atelier

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By buying this book here, they will get

Shipping to more than 40 countries

Guaranteed by Showcase

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Adeche Atelier

(@adeche.atelier)

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Shipping to more than 40 countries

Guaranteed by Showcase

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Adeche Atelier

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World class shipping guaranteed

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Adeche Atelier

(@adeche.atelier)

By buying this book here, they will get

Shipping to more than 40 countries

Guaranteed by Showcase

Support

Adeche Atelier

(@adeche.atelier)

By buying this book here, they will get

World class shipping guaranteed

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By buying this book here, they will get

World class shipping guaranteed