




“Short but packs a punch.”
The words of this little book occupy a hazy, dream-like nature. You’re reading it behind the smudged window view of a rainy Tokyo. It has ethereal and beautiful prose, with hypnotic imagery and soothing melancholia that settles deep inside you. It evokes this beauty of the mundane, its beauty ornamenting every regular moment. It’s about everything and nothing at the same time. Jessica Au writes this a reflection on many themes: mother-daughter relationships, intergenerational gaps, immigration, art, materialism, memories. We are companions to our narrator’s thoughts for a short while, and it’s a quiet, contemplative experience at its finest. It lingers with you after turning the last page, and I only wish it was longer.
The words of this little book occupy a hazy, dream-like nature. You’re reading it behind the smudged window view of a rainy Tokyo. It has ethereal and beautiful prose, with hypnotic imagery and soothing melancholia that settles deep inside you. It evokes this beauty of the mundane, its beauty ornamenting every regular moment. It’s about everything and nothing at the same time. Jessica Au writes this a reflection on many themes: mother-daughter relationships, intergenerational gaps, immigration, art, materialism, memories. We are companions to our narrator’s thoughts for a short while, and it’s a quiet, contemplative experience at its finest. It lingers with you after turning the last page, and I only wish it was longer.
The words of this little book occupy a hazy, dream-like nature. You’re reading it behind the smudged window view of a rainy Tokyo. It has ethereal and beautiful prose, with hypnotic imagery and soothing melancholia that settles deep inside you. It evokes this beauty of the mundane, its beauty ornamenting every regular moment. It’s about everything and nothing at the same time. Jessica Au writes this a reflection on many themes: mother-daughter relationships, intergenerational gaps, immigration, art, materialism, memories. We are companions to our narrator’s thoughts for a short while, and it’s a quiet, contemplative experience at its finest. It lingers with you after turning the last page, and I only wish it was longer.
The words of this little book occupy a hazy, dream-like nature. You’re reading it behind the smudged window view of a rainy Tokyo. It has ethereal and beautiful prose, with hypnotic imagery and soothing melancholia that settles deep inside you. It evokes this beauty of the mundane, its beauty ornamenting every regular moment. It’s about everything and nothing at the same time. Jessica Au writes this a reflection on many themes: mother-daughter relationships, intergenerational gaps, immigration, art, materialism, memories. We are companions to our narrator’s thoughts for a short while, and it’s a quiet, contemplative experience at its finest. It lingers with you after turning the last page, and I only wish it was longer.
The words of this little book occupy a hazy, dream-like nature. You’re reading it behind the smudged window view of a rainy Tokyo. It has ethereal and beautiful prose, with hypnotic imagery and soothing melancholia that settles deep inside you. It evokes this beauty of the mundane, its beauty ornamenting every regular moment. It’s about everything and nothing at the same time. Jessica Au writes this a reflection on many themes: mother-daughter relationships, intergenerational gaps, immigration, art, materialism, memories. We are companions to our narrator’s thoughts for a short while, and it’s a quiet, contemplative experience at its finest. It lingers with you after turning the last page, and I only wish it was longer.
The words of this little book occupy a hazy, dream-like nature. You’re reading it behind the smudged window view of a rainy Tokyo. It has ethereal and beautiful prose, with hypnotic imagery and soothing melancholia that settles deep inside you. It evokes this beauty of the mundane, its beauty ornamenting every regular moment. It’s about everything and nothing at the same time. Jessica Au writes this a reflection on many themes: mother-daughter relationships, intergenerational gaps, immigration, art, materialism, memories. We are companions to our narrator’s thoughts for a short while, and it’s a quiet, contemplative experience at its finest. It lingers with you after turning the last page, and I only wish it was longer.
What is the book about?
Contemporary fiction
Contemporary fiction
Contemporary fiction
Contemporary fiction
Contemporary fiction
Contemporary fiction
Mother-daughter
Mother-daughter
Mother-daughter
Mother-daughter
Mother-daughter
Mother-daughter
Journey
Journey
Journey
Journey
Journey
Journey
A mother and daughter travel from abroad to meet in Tokyo: they walk along the canals through the autumn evenings, escape the typhoon rains, share meals in small cafes and restaurants, and visit galleries to see some of the city’s most radical modern art. All the while, they talk: about the weather, horoscopes, clothes, and objects, about family, distance, and memory. But uncertainties abound. Who is really speaking here – is it only the daughter? And what is the real reason behind this elliptical, perhaps even spectral journey? At once a careful reckoning and an elegy, Cold Enough for Snow questions whether any of us speak a common language, which dimensions can contain love, and what claim we have to truly know another’s inner world.

Support
Gannah
(@pagesofg)
For every book purchased through this page, we receive 20% of the profit, which supports London Girls Book Club—funding events, coordinators, and everything that makes LGBC special.
Shipping to more than 40 countries
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Support
Gannah
(@pagesofg)
For every book purchased through this page, we receive 20% of the profit, which supports London Girls Book Club—funding events, coordinators, and everything that makes LGBC special.
Shipping to more than 40 countries
Guaranteed by Showcase